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Posted by Jon Brodkin

California and Paramount Skydance have reportedly reached a settlement allowing the company to complete its $111 billion merger with Warner Bros. Discovery. The settlement, which will reportedly be announced later today, drew condemnation from Democrats and media advocates.

"The Paramount/Warner Brothers merger seems facially illegal, and the state AG lawsuit challenging it is very strong," Lina Khan, who chaired the Federal Trade Commission during the Biden administration, wrote yesterday. "It’s troubling to hear that the states may now settle for behavioral remedies, allowing the deal to go through subject to various promises from the firms. Behavioral remedies routinely fail, and the stakes here are particularly high given that a strong democracy requires open markets for sound journalism and creative expression."

After news of advanced settlement talks was reported over the weekend, Bloomberg reported today that Paramount reached an agreement with California and other states that sued to block the merger. "Settlement talks came to fruition over the weekend after four states that had opposed terms of a deal outlined with California conceded," Bloomberg wrote, citing a person familiar with the matter.

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[syndicated profile] arstechnica_feed

Posted by Alex Rogers and Stephen Morris, Financial Times

Donald Trump has said that the US would appoint a new AI tsar and create an “AI Force” while offering a full-throated defense of the emerging industry in the face of a growing popular backlash.

The US president’s announcement comes as leading industry figures have sounded the alarm that humans could lose control over the rapidly advancing technology without a slowdown in development.

However, rather than announcing regulation as some have demanded, Trump has dismissed safety concerns as a “hoax.”

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X Marks The Dead Spot

Sep. 21st, 2026 04:00 pm
[syndicated profile] notalwaysright_feed

Posted by Not Always Right

Read X Marks The Dead Spot

One day, a chiropractor hired me to figure out why his laptop wouldn't work in one particular room.
I go over and look at the laptop. Sure enough, it gets a signal as soon as I walk out of the room, but loses it again whenever I walk back inside.

Read X Marks The Dead Spot

[syndicated profile] kde_planet_feed

We just merged a code change in Okular master to use QtMultimedia instead of Phonon to play multimedia files.

 

This will be released in December. 

 

We did as much testing as we could but given the complexity of this feature it would be nice if users could test it as much as possible.

 

If you have PDF files with video or audio files it would be great if you could install this flatpak file https://invent.kde.org/graphics/okular/-/jobs/5052739/artifacts/raw/okular.flatpak (may be out of date in a few days, write a comment if you want to test and the file is no longer available).

 

You can install it with  flatpak --user install once downloaded (it should not conflict with neither your distribution installed Okular nor if you have a stable Okular flatpak installed) 

Then you can run it with  flatpak run --branch=master org.kde.okular

 

Once you do that do as much testing as you can with PDF files with embedded audio/video. If you find bugs (specially if they are regressions against the current version) please report the issues in bugs.kde.org 

(no subject)

Sep. 21st, 2026 12:57 pm
watersword: A child with brown hair facepalming and the words "People are so stupid." (Stock: *facepalm*)
[personal profile] watersword

Aughhhhhhhh apparently my phone is not equipped to handle an eSIM (wtf it is from 2023, not Ye Antient Times) and it looks like I am gonna have to buy a physical nanoSIM when I land in Europe, possibly twice for different countries. Do NOT want.

[syndicated profile] atlas_obscura_places_feed

Puerta del Hospital de la Latina

There is something delightfully disorienting about stumbling across a 500-year-old Gothic doorway in the grounds of Madrid’s School of Architecture. Surrounded by modern university buildings and the comings and goings of students, the ornate stone portal looks as though it has taken a wrong turn somewhere in the city. In fact, it has—but quite a long time ago.

Known as the Puerta del Hospital de la Latina, this is the surviving entrance to the Hospital de la Concepción de Nuestra Señora, founded in 1499 by Beatriz Galindo and her husband, Francisco Ramírez. Galindo, a celebrated scholar of Latin and tutor to the children of Isabella I of Castile, was known as “La Latina,” a nickname that eventually gave its name to both the hospital and one of Madrid’s best-known neighborhoods. 

The hospital stood at the corner of Calle de Toledo and Plaza de la Cebada, in the heart of what is now the La Latina district. Its flamboyant Gothic architecture incorporated Mudéjar influences and was attributed to the master craftsman Hazan. The elaborate entrance featured a pointed arch, delicate Gothic canopies, heraldic shields, and sculptures including the biblical embrace of Saint Joachim and Saint Anne before the Golden Gate.

The hospital survived for four centuries, even serving as a military hospital during the Peninsular War. But Madrid’s appetite for wider streets eventually proved stronger than its appetite for medieval architecture. In 1904, the hospital and the adjoining Convent of the Concepción Francisca were demolished to make way for the widening of Calle de Toledo. Almost everything disappeared. The doorway, however, was spared.

For several decades, the dismantled portal languished in municipal storage until architect Fernando Chueca Goitia devised a way to give it a new life. In the late 1950s, it was restored and reconstructed beside the School of Architecture in the Ciudad Universitaria, several kilometers from its original location. A new brick structure and tiled roof were added behind it, effectively turning a fragment of a vanished hospital into a freestanding architectural time traveler.

Today, the Puerta de la Latina has an unexpectedly peaceful existence. Instead of welcoming patients on a busy medieval street, it stands among trees and university buildings, watching generations of architecture students hurry past. It is an unlikely survivor: a Gothic doorway that lost its hospital, its convent, its street, and even its neighborhood—but somehow managed to keep its front door.

(no subject)

Sep. 21st, 2026 12:33 pm
neekabe: Bucky from FatWS smiling (Default)
[personal profile] neekabe
We had a party this weekend and it's very convenient to do those every once in a while.

We usually have the main space of our apartment divided into living room/dining room components, with the couch and a chunky storage console being the barrier. But for parties larger than dinner parties, we rearrange furniture to create one big open space so people can flow better.

So every once in a while we move all the big furniture around and evict the dust bunnies and wash the floors. It's very convenient, and it allows for some adjustments when putting everything back.
This time we tweaked some of the smaller tables, and shrunk the 'living room' area a bit. And in the flurry of getting everything set up we got the pictures hung that have been sitting around since they came back with us with the funeral, and moved the hanging light that has never been actually centered over the table.

And while the lamp was down we dusted the glass surround on the lamp and oh, that wasn't a frosted lamp. Whoops. Anyways, it's very shiny now.

We might have to rearrange everything in a couple of months as I might be getting the family clock. I don't have room for the big farm table (We might get the Fella's family table, but that collapses down to a smaller thing. The smallest form of the Farm Table is about 1.5M square). But we do have wall space, and the clock is pretty.

It's possible the ticking will drive me crazy. We'll see XD
vamp_ress: (Default)
[personal profile] vamp_ress posting in [community profile] fancake
Fandom: The Lord of the Rings RPF
Pairings/Characters: Viggo Mortensen/Orlando Bloom
Rating: Explicit
Length: 43.016
Creator Links: Salix on AO3
Theme: Mentors and protégés

Summary: Orli is curious... and you know what they say about curiosity and the cat. Luckily Viggo is around to help.

Reccer's Notes: This is a canon story taking place during the filming of The Lord of the Rings in New Zealand. In this, Orlando - who figures himself to be straight - wonders what it might be like to kiss a guy. But not any guy, mind you - it has to be someone special! So, embark on this journey with Orlando and watch Viggo teach him how to properly be gay. See how the term ViggoKisses (TM) was coined and observe how somehow feelings get added to the mix. So, in short: Come for the humour and the sexy shenanigans and stay for declarations of love!

Fanwork Links: AO3

Fall Horror Reads

Sep. 21st, 2026 09:20 am
rocky41_7: (Default)
[personal profile] rocky41_7 posting in [community profile] books
Stealing an idea from [personal profile] susieboo to share some spooky/horror-themed reads for Halloween season! ( ⓛ ω ⓛ *)

Affinity by Sarah Waters
An upper-class woman recovering from a suicide attempt, Margaret Prior has begun visiting the women’s ward of Millbank prison, Victorian London’s grimmest jail, as part of her rehabilitative charity work. Amongst Millbank’s murderers and common thieves, Margaret finds herself increasingly fascinated by on apparently innocent inmate, the enigmatic spiritualist Selina Dawes. Selina was imprisoned after a séance she was conducting went horribly awry, leaving an elderly matron dead and a young woman deeply disturbed. Although initially skeptical of Selina’s gifts, Margaret is soon drawn into a twilight world of ghosts and shadows, unruly spirits and unseemly passions, until she is at last driven to concoct a desperate plot to secure Selina’s freedom, and her own.

Key notes: Romance, atmospheric, gothic, ghosts, questioning reality

Cuckoo by Gretchen Felker-Martin

Something evil is buried deep in the desert. It wants your body. It wears your skin.

In the summer of 1995, seven queer kids abandoned by their parents at a remote conversion camp came face to face with it. They survived—but at Camp Resolution, everybody leaves a different person.

Sixteen years later, only the scarred and broken survivors of that terrible summer can put an end to the horror before it's too late.

Key notes: Psychological torture, there's an actual monster, the lasting impact of trauma, the monster is an allegory

A Dowry of Blood by S.T. Gibson
Saved from the brink of death by a mysterious stranger, Constanta is transformed from a medieval peasant into a bride fit for an undying king. But when Dracula draws a cunning aristocrat and a starving artist into his web of passion and deceit, Constanta realizes that her beloved is capable of terrible things. Finding comfort in the arms of her rival consorts, she begins to unravel their husband's dark secrets.

Key notes: Vampires, romance, abusive relationships

The Echo Wife by Sarah Gailey
Martine is a genetically cloned replica made from Evelyn Caldwell’s award-winning research. She’s patient and gentle and obedient. She’s everything Evelyn swore she’d never be.

And she’s having an affair with Evelyn’s husband.

Now, the cheating bastard is dead, and both Caldwell wives have a mess to clean up.

Good thing Evelyn Caldwell is used to getting her hands dirty.

Key notes: Murder, conspiracy, human experimentation, people are the real monsters

Mexican Gothic by Silvia Moreno-Garcia
After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. 

Noemí is an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom.

Key notes: Gothic, family drama, a vague and creeping sense of horror, there is a curse but there's also plain racism

Our Share of Night
by Mariana Enriquez

A young father and son set out on a road trip, devastated by the death of the wife and mother they both loved. United in grief, the pair travel to her ancestral home, where they must confront the terrifying legacy she has bequeathed: a family called the Order that commits unspeakable acts in search of immortality.

For Gaspar, the son, this maniacal cult is his destiny. As the Order tries to pull him into their evil, he and his father take flight, attempting to outrun a powerful clan that will do anything to ensure its own survival. But how far will Gaspar’s father go to protect his child? And can anyone escape their fate?

Key notes: Family drama, generational curse, slow build, cult/cult abuse

The Unworthy by Agustina Bazterrica
In the House of the Sacred Sisterhood, the unworthy live in fear of the Superior Sister's whip. Seething with resentment, they plot against each other and await who will ascend to the level of the Enlightened - and who will suffer the next exemplary punishment. Risking her life, one of the unworthy keeps a diary in secret. Slowly, memories surface from a time before the world collapsed, before the Sacred Sisterhood became the only refuge. Then Lucía arrives. She, too, is unworthy - but she is different. And her arrival brings a single spark of hope to a world of darkness.

Key notes: Cult/cult abuse, post-apocalyptic, body horror, people are the real monsters

[syndicated profile] askamanager_feed

Posted by Ask a Manager

A reader writes:

I lead a mission-driven nonprofit that does excellent work for communities that really need it. I’m proud of what we do, and we have a strong, consistent staff who do the work very well. We could, of course, use another dozen people or a million dollars, but we do as much as we can, as well as we can, and we pay our staff competitively for the field.

Recently, I’ve found a handful of AI tools that are surprisingly good at filling some of the massive gaps that inevitably exist in an underfunded nonprofit. For example, when a phishing attack started spreading through our organization, I used AI to help me write code that let us identify and clean up thousands of malicious emails. I’ve also used it to do complicated scheduling and data analysis that would ordinarily take me the better part of a week. Those aren’t jobs that would otherwise belong to someone on my staff; they’re things that would otherwise fall to me, badly and slowly. Using AI for them has freed me up to spend more of my time actually working with people.

And: I have significant reservations about AI. I’m concerned about its environmental impact, its labor implications, the way it’s being deployed by corporations, and any number of other things. I have not reached the conclusion that AI Is Good. I’ve reached the much narrower conclusion that, right now, some of these tools are making it possible for my chronically under-resourced nonprofit to do more good with the same number of people and hours in a day. I’ve made my peace with that for now, while reserving the right to decide later that the larger costs outweigh the benefits.

Here’s the weird part. I don’t want people to think that I suddenly learned Python and personally stopped a cyberattack, or that I’m staying up all night heroically blitzing through spreadsheets and schedules. When AI has materially helped me accomplish something, I think the honest thing is to say so.

But every time I say, “The robot did it” or otherwise explain that I used AI, I feel like I sound like an AI evangelist: Look at this amazing thing AI can do! And sometimes, annoyingly, the thing it did really is amazing. That still doesn’t mean I endorse the whole enterprise.

So: how do you talk openly and honestly about using a technology that is genuinely useful to you without turning every disclosure into an advertisement for that technology? Is there a way to communicate, “I’m telling you AI did this because I don’t want to take credit for work I didn’t do alone — not because I’ve decided AI is wonderful”?

Ironically, or appropriately, or both, I am asking you instead of asking the robot.

I think the key is to recognize that conversations about AI have to become more nuanced than just support/oppose. AI has already been incorporated into an enormous range of things, and refusing to use it is impractical for a lot of jobs. Not for all of them, obviously, and certainly not every use is defensible (personally, I’d put theft from writers and artists in the indefensible category, but not necessarily using AI for, say, coding assistance).

I’d say the questions we should ask are: is this particular application useful? Is it reliable enough for this specific task? What data are you giving it? What’s the risk if it makes a mistake and how are we guarding for that? Is the underlying training/data acquisition ethically acceptable? Is this meaningfully different from plagiarism?

Those answers will vary from one use to another.

It’s worth noting that in your case, you’re not using AI because you want to eliminate people; you’re actually using it because you don’t have enough people. You’re using it as a tool to absorb some tedious computational work so that you have more time to do the interpersonal work that actually requires you.

As for how to talk about it, you could look at it as a matter of attribution, not of endorsement — like the way you might mention that you used Excel to analyze something. You might say, for example, “I used an AI coding assistant to help me write a script that identified and removed thousands of malicious emails. I reviewed and adapted the code, but I don’t want to imply that I wrote the whole thing from scratch.”

And I think you can be honest and straightforward about your conflicting feelings! It’s reasonable to think some applications are hugely useful while remaining profoundly concerned about copyright, environmental costs, corporate power, and the ways it’s being built, and you can say explicitly, “I want to be up-front that I have significant concerns about AI’s environmental and other costs. But it was useful for this particular problem.” Acknowledging that it was useful for a specific task isn’t the same thing as saying that it’s an overall good.

The post how do I talk about using AI without sounding like an AI evangelist? appeared first on Ask a Manager.

[syndicated profile] arstechnica_feed

Posted by Jennifer Ouellette

Prime Video looks to have another hit on its hands with Neagley, a new spinoff series set in the same universe as the streaming platform’s critically acclaimed Reacher, now in its fourth season. Both shows are solidly addictive escapist fare, and while Neagley has some uneven elements, it mostly sticks to the successful formula while exploring new ground to give a very different main character her due.

(Some spoilers below, but no major reveals.)

Reacher fans will already be familiar with Frances Neagley, played to perfection by Maria Sten (Swamp Thing). She’s arguably the most diehard friend of former US Army military police officer turned drifter Jack Reacher (Alan Ritchson), coming to his aid again and again as he confronts a bevy of dangerous criminals over four hugely entertaining seasons. (Of course Ritchson’s Reacher makes an appearance in an opening scene, lending his muscle to rescue a kidnapped child.)

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Prompt 217: Box

Sep. 21st, 2026 11:24 am
digthewriter: (DRACO_GIF)
[personal profile] digthewriter posting in [community profile] draco100
Hi Friends,

Welcome back to [community profile] draco100. We are so happy to see you here. Here's our next prompt!

PROMPT 217 is...
Box.
Happy Drabbling.


Don't forget that you can post you drabbles on the AO3 collection.

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