Branch (
branchandroot) wrote2004-07-19 02:03 pm
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Entry tags:
PoT: Standalone: Fortune
Fic post from my archive.
Atobe encounters Yukimura at the museum, they fall to chatting, and events take a rather sharp left turn.
Yukimura rested his chin on one hand, and lifted his brows. He was, Keigo decided, perfectly well aware of what Keigo wanted to ask and was going to sit there with that attentive expression and watch Keigo squirm while he tried to come up with a courteous way to do it.
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The exchange at the end where Atobe asked about Sanada was interesting. And I'm like Atobe, I work better with people :D or at least I feel more interested. XD;;; I hate still life.
Chiaroscuro. Light and shadow. And another after it. Kikkyou. Fortune. Sunshine and shadow.
*_____*<33333333 love the part about Fortune :D!!
hehe Yuki is such a sneaky seductress X3~~ oh and interesting observation about how their texture is like Impressionism. <3
(special AtoYuki icon for you <333)
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So, so very right. Yes.
And how like Atobe to worry about valuable bits being broken off *after* the fact.
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'subsided'? Okay... so, yeah, maybe 'fall' wouldn't have worked as nicely as 'collapsed', but... {grins} 'subsided' is *so* right for these two... ^_^;;
I liked their interactions with each other, but the Sanada comments had me giggling like a school girl.... So used to seeing Sanada-Atobe or Yukimura/Sanada that this was definitely an interesting change. And how nicely characterized.
Now. Please tell me you've starting working on a sequel? (I know, I know--you have other fics to focuse on first)
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The brain melts. The brain melts.
I love you, and kiss the ground you walk on.
This! This! This! "How can you possibly doubt yourself?"
So perfect. So in character. So WONDERFUL!
Please let me have your brain.
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So much love, especially for an Art History geek like me. XD Their texture is very Impressionist, especially Yukimura - I always associate him with Monet's paintings of his gardens at Giverny, but he also belongs in the Renaissance, with all the lights and shadows. Dammit, they're such a pretty pair. XD I loved the bit at the end, about Sanada (and Yukimura's reaction, shows he's not as delicate as he looks XD): as much as I love SanaYuki, the other ways of looking at their relationship are equally fascinating. <3
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And one more thing...I have to be sincere here, but...I don't like when Atobe is called 'Keigo'. I can accept when someone that really knows him calls the guy this way, but not in the entire fic. I don't know..just...don't feel like Atobe to be.
Even though I call him Keigo sometimes, it's just sometimes. He's so...Atobe to be called Keigo during all the times.
About Yukimura I have to say just one thing: Yukimura was completly Yukimura in this fic :-)
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Yes, Chaco-chu~ is comepletely responsible for anything that has to do with AtoYuki.
But anyway...
Eep. When I saw the label I was wondering how it would be managed...but you! YOU! I should'ved known Emily would take the cake. *glowers*
I weep at the beauty of your detailing and the characterization. Your fiction always strike me as wonderfully intelligent - a rare case in fanfic, as you might've noticed. But research is always adored by me.
And I adore this fic. And the artist in me adores this fic.
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Like everyone else said, the Sanada comments, especially their timing, were great, but... You know what my favorite line is? ^^ The bit about having a habit of prodding dangerous things, just to see how dangerous they are. <3 I have much heartage for that part. X3 So very like him.
And, beyond a doubt, Yukimura is a dangerous thing. Machiavelli is, I think, the perfect comparison. People sometimes forget, I think, that he's the captain of Rikkai. Dangerous by default, and twice as sneaky. So. much. love! ^____^
You did good, you did very good. and now I shall join the clamoring for a sequel, pleasepleaseplease? ^_^
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