In love with perpetuation
May. 1st, 2007 02:40 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
branchandrootSo, there's some meta running around my head, now, and it's all ![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
p_zeitgeist's fault.
You see, I've been wandering through her Yami no Matsuei material, and some of her perspective on Hisoka crystalized something that I've found weird about YnM for a long time. I think this weird thing is actually a pattern that's common to Japanese literature in general, but anime and manga certainly, and it is the pattern of somehow valuing the perpetuation of pain and/or shame.
Let me start with Love Mode, actually, since that's one of the places I see it most clearly, explicitly and unvarnished-ly presented. There's a character, in LM, who suffered violent rape, was taken to the hospital and patched up, but did not have the funds to pay for his treatment. The Benevolent Doctor who treated him is sympathetic and gets the boy a job, so he can pay his bills.
A job in as a whore.
Let's not faff around with "escort" or any of that. The boy is placed in a whorehouse (the one that the doctor's brother runs, incidentally). Now, the doctor, while explaining his actions to another character, says that this is the perfect situation for the boy because those who have been raped/abused often suffer it again. As, in fact, the boy does, by clients of the house in question.
And that was when I put down the volume and only restrained myself with difficulty from actually burning it.
This is presented as a positive thing, you understand. The narrative structure and voice would clearly have us believe that the doctor is right to get the boy a job that has the greatest possible similarity to the trauma he initially suffered.
This strikes me as exactly what has twisted my brain about the situation of shinigami, in YnM. It is, if I recall correctly, explicitly stated that only restless spirits become shinigami, only those with some trauma or suffering that will not let them rest or move on to the next stop or whatever it is the dead should be doing next.
In other words, because they have suffered shame or pain or despair, they are somehow naturally drawn to a job in which they will continue to suffer shame and pain and despair.
I am still somewhat unclear on what cultural or emotional logic may be behind this. Perhaps this is Tragedy, in which one mishap Fates the poor victim to keep on being a victim for the rest of his/her existence. Perhaps it's supposed to work as some form of expiation or cleansing--there are sometimes overtones that suggest this. Perhaps it's even both, with the victim thinking there can be some expiation, when, in fact, there can't, and that just adds to the Tragic aspect. There is definitely a downright masochistic tendency to revel in the melancholy of Tragedy that shows up a whole lot in Japanese literature of every kind I've seen so far. It's even a standard phrase: shou ga nai, nothing can be done. From what I can tell, this is considered the mature response to any tribulation one might suffer, from overcrowded subways to one's house burning down.
This does not give me great hopes for where the story might go/have been going. It suggests that neither Hisoka nor Tsuzuki will be able to break free from their pasts/problems/issues by any means short of the destruction of their souls. After all, they're already dead, they can't get out that way. It further suggests that Muraki's downward spiral will continue--that, in fact, he was already fated to devolve from the start, that his attempt to do something was doomed from the start. The shikigami are probably also screwed.
And this makes me really want some fanfic that rationalizes the characters' screwed up existence in some less Tragic and more useful way.
p_zeitgeist's fault.You see, I've been wandering through her Yami no Matsuei material, and some of her perspective on Hisoka crystalized something that I've found weird about YnM for a long time. I think this weird thing is actually a pattern that's common to Japanese literature in general, but anime and manga certainly, and it is the pattern of somehow valuing the perpetuation of pain and/or shame.
Let me start with Love Mode, actually, since that's one of the places I see it most clearly, explicitly and unvarnished-ly presented. There's a character, in LM, who suffered violent rape, was taken to the hospital and patched up, but did not have the funds to pay for his treatment. The Benevolent Doctor who treated him is sympathetic and gets the boy a job, so he can pay his bills.
A job in as a whore.
Let's not faff around with "escort" or any of that. The boy is placed in a whorehouse (the one that the doctor's brother runs, incidentally). Now, the doctor, while explaining his actions to another character, says that this is the perfect situation for the boy because those who have been raped/abused often suffer it again. As, in fact, the boy does, by clients of the house in question.
And that was when I put down the volume and only restrained myself with difficulty from actually burning it.
This is presented as a positive thing, you understand. The narrative structure and voice would clearly have us believe that the doctor is right to get the boy a job that has the greatest possible similarity to the trauma he initially suffered.
This strikes me as exactly what has twisted my brain about the situation of shinigami, in YnM. It is, if I recall correctly, explicitly stated that only restless spirits become shinigami, only those with some trauma or suffering that will not let them rest or move on to the next stop or whatever it is the dead should be doing next.
In other words, because they have suffered shame or pain or despair, they are somehow naturally drawn to a job in which they will continue to suffer shame and pain and despair.
I am still somewhat unclear on what cultural or emotional logic may be behind this. Perhaps this is Tragedy, in which one mishap Fates the poor victim to keep on being a victim for the rest of his/her existence. Perhaps it's supposed to work as some form of expiation or cleansing--there are sometimes overtones that suggest this. Perhaps it's even both, with the victim thinking there can be some expiation, when, in fact, there can't, and that just adds to the Tragic aspect. There is definitely a downright masochistic tendency to revel in the melancholy of Tragedy that shows up a whole lot in Japanese literature of every kind I've seen so far. It's even a standard phrase: shou ga nai, nothing can be done. From what I can tell, this is considered the mature response to any tribulation one might suffer, from overcrowded subways to one's house burning down.
This does not give me great hopes for where the story might go/have been going. It suggests that neither Hisoka nor Tsuzuki will be able to break free from their pasts/problems/issues by any means short of the destruction of their souls. After all, they're already dead, they can't get out that way. It further suggests that Muraki's downward spiral will continue--that, in fact, he was already fated to devolve from the start, that his attempt to do something was doomed from the start. The shikigami are probably also screwed.
And this makes me really want some fanfic that rationalizes the characters' screwed up existence in some less Tragic and more useful way.
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no subject
Date: 2007-05-01 08:16 pm (UTC)Cf. Twelve Kingdoms' anime-only subplot of the bullied loner Sugimoto, who readily accepts the students' presence in a new strange world and rallies to the false destiny presented to her by Kou; on reflection, I think that may've been intended to make her *less* palatable to the Japanese audience (like Asuka's brashness in NGE), since Youko clearly remains the protagonist despite mostly crawling around and being bucketed.
("Bucketed": a shorthand description that evolved between the wombat-consort and me to describe stories that are devoted to making the main character suffer repeatedly, for long periods of time and in loving detail. I can't remember whether it initially referred to Stephen King's Carrie having a bucket of pigs' blood dumped on her at the prom, or to a generic scenario of dragging the protags around to be repeatedly plunged head-first into increasingly larger and more revolting buckets of filth, giving them just enough time to painfully crawl out of the first one before being introduced to the next.)
In the original 12K book, Sugimoto barely exists, which makes the entire story pretty much Anozzer Bucket For Mamselle.
It's probably all about the gaman (http://sfgate.com/cgi-bin/article.cgi?f=/c/a/2006/11/11/DDGAPMADJ81.DTL&type=art). (Didn't actually see this exhbition while it was in town, though did get to go through the catalog in a bookstore somewhere.)
no subject
Date: 2007-05-01 08:22 pm (UTC)no subject
Date: 2007-05-01 08:28 pm (UTC)I console myself that at least Shuurei was pissed off, instead of meekly accepting, even if she didn't do anything about it. *makes face* I'd much have preferred that she throw cleaning rags down people's robes.
no subject
Date: 2007-05-01 08:26 pm (UTC)I quite like the usage bucketing. Especially since it seems to be such a popular authorial sport, both in the originals and in fic.