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branchandroot: oak against sky (Default)

There’s a curious spectrum of villains in Katekyou Hitman Reborn. For one thing, as the story goes on, it’s made clear that even the good guys aren’t necessarily good.  Our core heros are the only really good people, and their support group consists of people who explicitly run gambling houses and protection rackets. Things just go downhill from there.

First we have the Interesting Villains, which are not uncommon in manga and anime. They are the people who have understandable reasons for what they’re doing and some shade of sympathy or even nobility in there somewhere.

Spoilers ahead!

Take Mukuro, for example. He thinks of people as toys, things he can break if he likes; prime villain material that we should abhorrer. But there’s a double-whammy in his background, counterbalancing that. One is his tortured early life as an experimental animal; this is the part that makes him understandable. Then there’s the care he takes of the very few people he identifies as his, his loyalty to them and theirs to him, even to the point that he will sacrifice his own escape to give them an opportunity to get free. This is the part that gives us some sympathy for him.

Squalo and, to a lesser extent, Xanxus, follow the same pattern. Squalo’s understanding of Xanxus both illuminates Xanxus’ reasons for us and makes Squalo more sympathetic by that loyalty and connection to another.

Given this, I’m kind of expecting Byakuran to turn up with some interesting background, too.

In addition to these villains, however, we also have the Disgusting Villains. These are the ones who are completely unredeemable, the unapologetic sadists and sociopaths, the ones who visibly get off on torture. They seem to be provided for two purposes. One, they act as canon fodder, fighters in the early rounds that we, the audience, will not mind seeing beaten or killed and will, in fact, probably cheer while it happens. Two, they serve to make both the good guys and Interesting Villains look better. After all, they could clearly be so much worse. This permits good guys to be ambiguous while still looking good, and the Interesting Villains to do worse things than are usually acceptable while still retaining some audience sympathy. Consider, once again, Mukuro. The things he does are despicable, but in comparison to the canon fodder who lead up to the fight with him, he seems far more palatable.

I have some suspicions that the Cervello will also benefit from this comparison. They have shown up twice on the bad guys’ side, but the first time they clearly had some kind of ulterior motive for orchestrating things the way they did. In comparison to the Disgusting Villains, that motive may well appear acceptable, if and when it comes to light.

branchandroot: oak against sky (Default)

Having finished up KHR’s Varia arc, it’s time to take my first go at parsing out my favorite character.  Incidentally, there will be spoilers up to there, in here.

I think a major key to Hibari’s character really is his guardianship: the cloud that can never be bound. For someone like that to be a Guardian, I think he would have to be loyal, not to a person, but to the abstract ideal of the family.  Hibari’s attitude toward the school speaks of something similar, to me; he loves the school while seeming to hold every human in it in contempt.  This says to me that what he loves and defends is the ideal; defending the actual is kind of incidental.

I think this dovetails with another part of his character.  He likes to fight.  He likes to win.  He likes things to go the way he wants them to go.  His ideal gives rise to a vision (an order, as he puts it), and he fights to enforce that vision.

In his own way, I think he’s a complete romantic.  It’s just all abstract and he doesn’t actually like the messy humans cluttering things up, however much they’re required.  He may feel they don’t understand the ideal well enough.

The things he respects are another clue.  He seems to respect both passion and control.  Consider that Yamamoto seems to be the only one who can talk him around without getting ‘bitten’.  Usually.  Similarly, consider Hibari’s reaction during the ring battles, when he says that he’s all for anything that will bring out Tsuna’s true strength.  Tsuna is the pure-hearted one, recall, the one who fights for ideals of his own.  Hibari seems to respect that, which suggests he understands that.

So I think what we have here is one variation on the Black Knight.  Hibari seeks strength/victory/control in order to defend (and enforce) his shining ideal, be it the school or the family.

branchandroot: oak against sky (Default)

(The manga front, since I’m attempting to ignore the political front, having done my part and having no wish to expire from nerves.)

On Lynn’s instigation, I am reading Katekyou Hitman Reborn. Of course, first I got her to tell me when the initial underwear shenanigans stops and the real action starts. My recommendation to other people picking this up: read the first handful of issues; if you can’t stand it, skip straight to issue 60 and start from there, possibly pausing to read the Wikipedia entries first so you know who’s who. So, onward.

Have finished the first Mukuro arc. Agree he’s shaping up to be an interesting character.

Love Hibari best, though.

Much more fond of inward!Tsuna than berserk!Tsuna, but I’m known to like the quietly dangerous ones best, see above re Hibari.

Reborn kind of grows on you.

This is a pretty dark story, despite aforementioned shenanigans. Lots of blood and violence, and I understand it ramps up too. So far it’s in the process of not-too-uneven fights, though, so it’s not hitting my ultra-squicks.

Death to Funimation, death I say, and to the Japanese company who wanted to suppress fansubs before licensing. Don’t they have any idea how to work the market?

Hoping for more Hibari.

November 2024

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