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branchandroot) wrote2010-07-04 02:02 pm
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There really are times
Normally, you know, I scoff at the people who respond to any variation of "you depicted people who are like me as $DISGUSTINGLY_BIGOTED_STEREOTYPE in your fic, could you not do that?" with cries of "What do you mean I can't write about this?!". Because, of course, that isn't what any sane person involved actually said, and pretending they did is a transparent buck-passing attempt for which I have only scoffing.
I do also realize that there are people who really do try to tell people they can't write about X topic or group, but, honestly, I can't consider those people with anything but scoffing either.
However.
I hereby declare that no Western steampunk fan is ever, ever again allowed to use the word "geisha" without first undergoing, and prominently displaying proof of, at least one full term of Japanese women's studies or the equivalent.
This post brought to you by a serious case of "omg, how are you related to me, can I disown you right now please" (national and fandom varieties).
I do also realize that there are people who really do try to tell people they can't write about X topic or group, but, honestly, I can't consider those people with anything but scoffing either.
However.
I hereby declare that no Western steampunk fan is ever, ever again allowed to use the word "geisha" without first undergoing, and prominently displaying proof of, at least one full term of Japanese women's studies or the equivalent.
This post brought to you by a serious case of "omg, how are you related to me, can I disown you right now please" (national and fandom varieties).
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*thoughtful* It's an interesting question, actually. There are examples of both right and left aligned work, sometimes quite extreme ones (Moorcock, frex). I think there's also a disconnect between the "real life" of a lot of fans and the "dress up" parts. You run into a lot of that in the SCA too; there are no peasants, everyone is at least gentry, and one major thread of it is all about reifying "the biggest thug gets to rule", but no one would dream of or stand for applying that to their mundane lives. Of course, another major thread is absolute meritocracy, and the actual governance skews toward the latter, so it's... complicated. I doubt steampunk will quite get there, more's the pity, but I do take some small comfort in the fact that the actual artists, the creative powerhouses, tend to be more with the toolboxes and welding rigs than the top hats.
I'm really hoping that, if the artistic movement is around for long enough, it will evolve a political soul. Right now, if there is one, I think it's in its infancy.
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Thank you for being so understanding. I didn't set out to harsh your squee, just to mark where I stood in this regard. And while I know people are tackling the colonialism (though not many of them) I find the embedded classism just a bridge too far - surely someone should by now have spotted there's an issue, why am I the only person talking about it, oh look, there's this carpet and this brush and the darkness falls as usual.