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branchandroot) wrote2004-03-09 01:00 pm
branchandroot) wrote2004-03-09 01:00 pm
Entry tags:
characters, muses, stuff
A recent post made me think.
Do my characters really *talk* to me? Do I hold actual conversations with them?
I mean, when I write it out in here, that's what it looks like. But in a lot of ways it feels like I'm translating what actually happens, which isn't verbalization at all.
On the other hand, there were a few times while writing "Glow" when I started to write some action, usually for Ed, and got a very definite veto. If I translate it into words it goes something like
Ed: Excuse me? I am not letting him carry me, what the hell are you thinking!?
It doesn't happen in words, though. That's just what I translate it to when I want other people to be able to hear it.
It's a lot more like echolocation, that process of asking myself questions until I get a solid "bounce", a firm contact, a "yes, that's it". Feelings, not words.
Only, it isn't asking myself, for this.
Storyspace, where all these characters stay, is an odd one. It's not part of my self, for all that it's inside my head. It's a shared space. I make it *out of* my self, and then use it to store copies of characters I like, which are, in effect, other people. Other people with whom I can utilize the protocals for internal communication. It makes the process of writing... curious. The plot comes out of my head, and then I bounce it off the shape of the characters and listen for how they react. And translate their reaction into dialogue. But to make that bounce work, I have to take the characters a little out of Storyspace, a little into my self. That's what gives me the channel of communication that carries the "yes I would do that/no I wouldn't do that" response. There has to be a constant feedback between my awareness of the plot and my awareness of the shapes of the characters, so I can hear when there's a break in congruity. A bad note.
I think maybe this is why I write so fast, when I write the stories down. Nonverbal communication, the internal kind, is extremely fast. I need to translate fast to keep up with it.
So I guess I'd have to say my characters don't really *talk* to me. But communication certainly happens when I rummage around in Storyspace.
Do my characters really *talk* to me? Do I hold actual conversations with them?
I mean, when I write it out in here, that's what it looks like. But in a lot of ways it feels like I'm translating what actually happens, which isn't verbalization at all.
On the other hand, there were a few times while writing "Glow" when I started to write some action, usually for Ed, and got a very definite veto. If I translate it into words it goes something like
Ed: Excuse me? I am not letting him carry me, what the hell are you thinking!?
It doesn't happen in words, though. That's just what I translate it to when I want other people to be able to hear it.
It's a lot more like echolocation, that process of asking myself questions until I get a solid "bounce", a firm contact, a "yes, that's it". Feelings, not words.
Only, it isn't asking myself, for this.
Storyspace, where all these characters stay, is an odd one. It's not part of my self, for all that it's inside my head. It's a shared space. I make it *out of* my self, and then use it to store copies of characters I like, which are, in effect, other people. Other people with whom I can utilize the protocals for internal communication. It makes the process of writing... curious. The plot comes out of my head, and then I bounce it off the shape of the characters and listen for how they react. And translate their reaction into dialogue. But to make that bounce work, I have to take the characters a little out of Storyspace, a little into my self. That's what gives me the channel of communication that carries the "yes I would do that/no I wouldn't do that" response. There has to be a constant feedback between my awareness of the plot and my awareness of the shapes of the characters, so I can hear when there's a break in congruity. A bad note.
I think maybe this is why I write so fast, when I write the stories down. Nonverbal communication, the internal kind, is extremely fast. I need to translate fast to keep up with it.
So I guess I'd have to say my characters don't really *talk* to me. But communication certainly happens when I rummage around in Storyspace.
no subject
But it is interesting when you stop and think about how people go about writing, what inspires them, keeps them going and who talks to them in their heads.
Those things alone could have an entire library written about them...
...
And I probably made no sense but yeah I need my coffee.
no subject
I stubbed my toe on one of those just day before yesterday.
*thinks* There certainly could be libraries about it, but I don't think there are. I've actually found very few authors who can write about how they write, or at least few who have published it. LeGuin. Walker. Bujold a little. At least those are the ones I found writing about it seriously. I've seen collections of very shallow "how I write" essays by authors, but those are generally pap.
Coffee is good--imbibe the stuff of life. *nods*