So there are a handful of posts lately about femslash and the technically conservative trends in that genre. It made me think about my own femslash stories (well, actually, it made me think about the western-media vs anime/manga fandom divide, and how never the twain shall meet even for the sake of being able to read more girl-on-girl stories, and how the western-media side is defining the whole genre of femslash as western-media over against yuri when the anime/manga side is more likely to want to use both, terms and conventions alike, and that this exclusion/division pisses me off personally, but after that it made me think about my own stories), and, indeed, I note a pattern. The ones that work with canon-possible pairings are little bits of fairly isolated fluff or smut. The ones I think are really kick-ass are the ones that do weird stuff like crossing canons. I still think the Une/Hawkeye was one of the best I’ve ever written.
I think part of the reason for this trend in my own writing is that the f/f pairings tend to have hidden stories. You have to dig for them, for the possibilities, for the way these two women might interact. Rukia/Orihime, for example, has marvelous possibilities, but none of them are obvious because the two of them don’t interact enough in canon to create a strong template. Most of my m/m, on the other hand, comes out of dynamics that are pretty much shoved up the viewer/reader’s nose.
Given this, you’d think that a fandom like Utena would be the one to produce reams of f/f, but… really not so much. And when I try to imagine Utena/Anthy stories, I have to admit, I get lost. I could write fluff, I could write smut, but how to write actual plot when I’m already drowning in glorious, glorious plot in the source? It’s like trying to write Julia/Spike. So there’s the other extreme: not hidden stories but huge, wide, deep stories. It’s hard to find a place to start with either.
Then, too, most of the hooks, the suggestive situations, the shoved-up-your nose, well canon doesn’t give us much of that for the girls. Fraught relationships, competition, saving each other, about the only place I find that is in some, not all, shoujo and it’s always accompanied by such relentless, centralized het romance that it’s hard to get a word in edgewise. Consider, for example, Sailor Moon or Fushigi Yuugi. We can step around the boys, the same way slash steps around the girls, but we have to step wider because they’re taking up more space.
And so I come back to the weird stuff: not the huge stories, not the hidden stories, but the stories that don’t exist at all yet, the hooks that can be created if you’re willing to ignore common sense. Utena/Anthy is hard, so what about Anthy/Lain instead? If Miaka is hard to separate from Tamahome, what about Yui and Shuurei? Orihime could probably do with a good lecture from Sakura about how the healer has a duty to guard herself.
A few of those get my brain loosened up, get me thinking about how, actually, if Daley just pounced Leon, then I bet Linna would take her opportunity, and Priss, with both hands. How Ami is really the best answer to Makoto’s constant boy trouble. How age seems to mean nothing to shinigami and therefore I could totally get something going with Unohana and Orihime.
Settling for the simple answers seem to be part of what hobbles femslash and/or yuri, at least for me–a weird sort of inverse of pairing wars, in which cleaving to the obvious pairings leads, not to war, but to silence. The odd possibilities seem much richer.